![]() But when COVID-19 suddenly left millions of Disney Plus subscribers desperate for new content, the Mouse House recognized that pandemics - like wars - have a funny way of creating new opportunities, and the ever-synergetic corporation refused to throw away its shot at hosting the biggest streaming event of this lost summer. When Disney paid a king’s ransom for the rights to a recording of Lin-Manuel Miranda’s supernova Broadway show “Hamilton,” the plan was to release it in movie theaters across the country next fall. This month’s one-offs include the Dardenne brothers’ uncharacteristically controversial “Young Ahmed,” Kelly Reichardt’s “Certain Women,” Jafar Panahi’s “The White Balloon,” and - perhaps most exciting of all - Med Hondo’s explosive “Soleil Ô,” which still feels hot to the touch some 53 years after it first came out of the oven. And since you’ve probably got the time for it, the Channel is throwing in a dozen noir-inflected Westerns for good measure (start with Anthony Mann’s “The Naked Spur” and spiral out from there). Lupino gets top billing this month, as this particular melodrama cuts right to the heart of the late multi-hyphenate’s many talents.Įlsewhere, the Criterion Channel is offering four surrealist treasures directed by Sara Driver, a pair of films by the Ross brothers that should help get you excited for their new “Bloody Nose, Empty Pockets”), nine essential movies scored by the great Ryuichi Sakamoto (including Stephen Nomura Schible’s unmissable documentary about the composer, “Ryuichi Sakamoto: Coda”), just about everything that Miranda July made before her upcoming “Kajillionaire,” and eight features from the Atom Egoyan’s prime (“The Sweet Hereafter” hits that much harder in the wake of Ian Holm’s death). Kramer,” and Ida Lupino’s sawtoothed and extraordinarily damning “The Bigamist” topline a deep list of reasons to be single. “Antichrist,” “Scenes from a Marriage,” “Kramer vs. Aside from the almost unmanageably robust collection of Olympic Films that’s now coming to the Channel after receiving a DVD and Blu-Ray release a little while back, the streamer’s largest new programming block is an 18-film collection of marriages gone wild. The Criterion Channel continues to help cinephiles stave off insanity as the streaming platform’s robust July slate offers a little something for everyone - if maybe also a bit too much for people who are quarantined with their spouses). ![]() ![]() At a time when all of us are stuck at home, Eisenberg and Poots do a great job of reminding us that it could still be worse. A nifty peek into “The Twilight Zone” that recasts the pair as a young couple who find themselves trapped in an inescapable suburban development after a long day of looking at houses together, Lorcan Finnegan’s unnerving “Vivarium” spins into nightmare territory as our leads are forced to perform a bizarre, Mayberry-flavored rendition of the middle class dream. It’s rare that you get to see two actors play off each other as shrewdly as Jesse Eisenberg and Imogen Poots do in Riley Stearns’ Lanthimos-like karate saga “The Art of Self-Defense,” and even rarer that you get to see them do it all over again in something completely different just a few months later.
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